One of the chief things that one notices about Augustine’s On Christian Doctrine , particularly in contrast to Aristotle, Plato and Cicero, is that he is speaking explicitly about teaching the Bible, rather than the idea of rhetoric in general.
This is largely because the Greek writers, like Aristotle, Cicero, and Plato, were all pagans (through no fault of their own, obviously, but ignorance was clearly no defense to Theodosius) and their writings were therefore verboten to the Christian peoples of 4th-century Holy Roman Empire.
As part of his edict to eliminate paganism from his godly empire, Theodosius also cut off all state funding from centers of rhetoric. This meant that Christian preachers needed guidance, a new text that would help them execute their task to preach the Word of God to all peoples. Enter: Augustine of Hippo. Continue reading “Religion, Ethics, Philosophy, and Culture”→
The central argument of Black Athenaby Martin Bernal, that Greek culture (and, therefore, so-called “Western” culture) had roots in the Levant and in Asia and Africa, and that these roots were obscured in the 18th and 19th centuries by simple racism, is compellingly stated, and appeals to a liberal mind accustomed to seeing suppression and institutional racism. Furthermore, the instances which he finds (like the similarities between Hebrew and Greek language) seem to offer a plausible enrichment of the heretofore accepted concept of the conceptual divide between East and West.
I’m kidding about the photograph, of course; Socrates wasn’t that pretty. That’s actually wrestling legend Gorgeous George and his wife, Betty. But it seems appropriate to use a wrestler to introduce a post about ancient Greeks, not only because of their famed love for the sport, but also because Gorgias, Polus and Socrates, as quoted by Aristotle and described at length by Bernard Jacob, are engaged in a sort of grappling, even if it’s only in the ring of ideas. And by Jacob’s account, Socrates engages in some sly and underhanded techniques to discredit rhetoric as an art.
If Socrates is looking to dethrone rhetoric from its lofty place in Athenian regard, and Aristotle is writing a treatise about how to properly understand and practice rhetoric, where do they differ? Why does one disdain the study and the other laud it? It seems that Aristotle is coming at the topic from a purely theoretical standpoint, trying to define a science of rhetoric; and as such, he sees it as an amoral tool, one that can clearly be used to promote to common good, or one that can be used only for personal gain, at the expense of the community. Socrates, however, is coming at the thing from a sort of a posteriori stance; having seen and heard rhetors aplenty throughout his life, he has come to the sure knowledge that rhetoric is only ever used for base flattery. For this reason, he proclaims that rhetoric cannot be an art for, as he says, it cannot describe the causes, the essential nature of things. Continue reading “Aristotle vs. Gorgeous Gorgias vs. Socrates”→
Some thoughts on my reading of Aristotle’s Rhetoric.
Aristotle talks a great deal about enthymemes, and doesn’t really explain them too deeply; which is a problem for those of us unaccustomed to the term. He does, however, make clear that they are a subset of syllogism. For example, he says that “the enthymeme must consist of few propositions, fewer often than those which make up the normal syllogism.” He then goes on to point out that an enthymeme may omit propositions that are widely accepted, much like the linked-to example. Continue reading “On Aristotle’s “Rhetoric””→
I will admit to being a Bon Iver fanboy. Pretty much everything Justin Vernon touches turns to gold; from his incredible work as Volcano Choir (especially their second album, “Repave”) to his subtle additions on the insanely catchy Kanye West-led “Monster” (warning for those of you who aren’t familiar: it features graphic language).
But back to Bon Iver. I’m still getting into his latest album, “22, A Million” but I’m sure I’ll love it. (Here’s a pretty good review of “22, A Million” in case you’re curious.) This guy just seems to find deep spaces in my mind and create music out of them, using a lexicon I’ve either forgotten or never figured out how to use. Continue reading ““Beth/Rest” by Bon Iver”→